The Ballroom at Knole, Sevenoaks, Kent. © National Trust Images/Andreas von Einsiedel

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Collaging people: James Joyce and Early Pop by Katy Norris

This year I have been a fortunate recipient of the UBP bursary, an opportunity that has allowed me to learn more about specific artworks in Pallant House Gallery’s collection of British Pop Art. The benefits of my research have had huge impact, none more so than in my ability to curate informed exhibitions and displays […]

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George Frederic Watts, the Victorian celebrity painter, by Ruth Benny

Idealistic, spiritual and known as the ‘Signor’ to his intimate friends, George Frederic Watts was one of the most sought after portrait painters of the Victorian age. Soon Watts’ correspondence will be fully searchable online, opening a resource to discover this significant artist as well as the culture of Victorian celebrity. After Watts’ death in […]

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Insanity in the Frame by Caroline Smith

  Harriet Jordan (left) might well be seated in her sitting room interrupting her sewing to look up at the camera. In reality, she was photographed when a patient at Bethlem Royal Hospital.  This photograph and others like it could, at least on first viewing, have been plucked from a family album, so far removed […]

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Portraits, frames and technology by Rebecca Milner

  Last month I attended the excellent Portrait Network seminar Copy, Version and Multiple: the replication and distribution of portrait imagery. I was particularly interested in the papers on Lely’s studio practice and Victorian carte-de-visite portrait photographs but the last talk of the day by video artist Marty St James resonated unexpectedly with another area […]

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On the trail of British Pop Portraits by Katy Norris

Pallant House Gallery’s Pop Art collection is one of the most comprehensive and significant in the country.  Works by Richard Hamilton, Peter Blake, Patrick Caulfield, Jann Haworth and Eduardo Paolozzi not only feature regularly in displays at the Gallery but also, as temporary loans to major international exhibitions they have represented British Pop Art alongside […]

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Getting away from the office…studying portraits is a real treat by Kate Jordan

Marketing staff based at Heelis (National Trust’s head office) are mostly preoccupied with attracting and retaining members, fundraising campaigns and looking after the NT brand. So I am delighted and privileged to be awarded one of the Understanding British Portraits network’s NT staff bursaries this year, and will be sharing my findings with marketing colleagues […]

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You should always look twice by Gil Dye

During my second term as Hon Secretary, when The Lace Guild was working towards museum registration, the Museums’ Association Journal appeared regularly in my pigeon-hole at The Hollies. As with any such journal there were good months and bad months, but in most issues I found plenty of general interest, in addition to specific information […]

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