In 2016 a portrait, identified as Elizabeth Fanshawe (1609-1668), née Cockayne, came up for sale at a well-known auction house (left). This portrait bore an uncanny resemblance to the female sitter in a small double portrait of Sir Thomas Fanshawe and his second wife Elizabeth, née Fanshawe at Valence House (below). A visit to Melbourne […]
Between 1811 and 1812 William Etty completed a portrait of his brother John which now hangs at The Company of Merchant Adventures in York, Etty’s hometown (left). The portrait bears some similarity to a portrait at Woburn Abbey, the 6th Duke of Bedford, by Sir Thomas Lawrence. Etty was active between 1807 and 1849, and […]
It’s time to confess: I know very little about portraits. I don’t have a degree in Art or History. My degree is in English, and my background is conservation, so I will apologise in advance if I appear easily pleased by the things I learnt when I attended my first Understanding British Portraits workshop! My […]
Last month I attended the excellent Portrait Network seminar Copy, Version and Multiple: the replication and distribution of portrait imagery. I was particularly interested in the papers on Lely’s studio practice and Victorian carte-de-visite portrait photographs but the last talk of the day by video artist Marty St James resonated unexpectedly with another area […]
Marketing staff based at Heelis (National Trust’s head office) are mostly preoccupied with attracting and retaining members, fundraising campaigns and looking after the NT brand. So I am delighted and privileged to be awarded one of the Understanding British Portraits network’s NT staff bursaries this year, and will be sharing my findings with marketing colleagues […]
