![Silvia Constance Myers and Leopold Hamilton Myers by Eveleen Myers (née Tennant) [the sitters' mother], platinum print, c.1890 © National Portrait Gallery, London](https://www.britishportraits.org.uk/wp-content/uploads/2015/06/mw150347.jpg)
Judy Oberhausen first met Eveleen Myers (née Tennant, 1856-1937) many years ago at the Delaware Art Museum when she was a young intern working with the Bancroft Collection of Pre-Raphaelite Art. George Frederic Watts’s portrait of Myers as the fresh-faced Jessamine is still there in a gallery filled with other famous Pre-Raphaelite beauties – although […]
Fountains Abbey & Studley Royal in North Yorkshire is not known for its large collection of art or furniture; it’s a World Heritage Site famous for its landscaped water garden and 12th century monastic ruins. The devastating fire at Studley Royal House in 1946 had destroyed much of the contents and when the Vyner family […]
As a portraitist, Sir William Rothenstein (1872-1945) is probably best-known for his chalk drawings and lithographs of famous figures, over two hundred of which are held at the National Portrait Gallery. Rothenstein launched himself on the British art scene as a portraitist in the early 1890s, and continued the practice until his death (one of […]
In February 2014, Sir Thomas Lawrence’s double portrait of Frances Anne, Marchioness of Londonderry and her son, Lord Seaham, was temporarily allocated through Acceptance In Lieu to Mount Stewart in Northern Ireland, by Arts Council England (left). It arrived along with a significant loan of other items from the Estate of the Marquess of Londonderry […]
Since starting my position at The Stanley & Audrey Burton Gallery, University of Leeds in 2008, we have received many enquiries relating to the University’s collection of portraits. Our enquiries come from researchers, students and the general public but also staff within other departments wanting to know more about the sitters in the portraits, including […]
For three consecutive years I have attended the Annual Seminar to expose myself to research, ideas, movement and collections that I might otherwise not interact with. In a sense the UBP annual gathering reassures me that I am not being naive or narrow minded about what I research or curate. I always walk away with […]
The Understanding British Portraits study day in Bath offered the chance to visit four fascinating collections across the city. With 18th century portraiture being particularly represented in Plymouth’s collections by artists including Sir Joshua Reynolds, James Northcote and John Opie, Bath seemed like it could be the perfect Georgian inspiration to start thinking more deeply […]
The Charles Dickens Museum tells the story of literary giant Charles Dickens and of 48 Doughty Street – the family home of Charles, his wife Catherine and their children in the 1830s. The story of the home and family can sometimes get lost behind the larger than life public figure of Dickens. As curator of […]
As a local history museum we were quite excited when the portrait of John Fenton first arrived at our venue in 2012. The owner was exceptionally keen that we should acquire him for our collection and kindly left the portrait in our care for consideration. On first glance it was a pretty average 18th century […]
When I joined the Garden Museum in April last year, one of our most recent acquisitions was still in store, purchased just several months earlier. It is a remarkable object for the Museum to have in its collection, as well as one of my own personal favourites. It is a small portrait oil on silver […]
