Sixteenth and seventeenth century portraits are a wonderful resource for lace historians. Two types of lace evolved during the sixteenth century: needle lace and bobbin lace. Needle lace, as the name suggests, is a form of free embroidery, worked with a needle and a single thread, while bobbin lace is a combination of plaiting and […]
In 2016 a portrait, identified as Elizabeth Fanshawe (1609-1668), née Cockayne, came up for sale at a well-known auction house (left). This portrait bore an uncanny resemblance to the female sitter in a small double portrait of Sir Thomas Fanshawe and his second wife Elizabeth, née Fanshawe at Valence House (below). A visit to Melbourne […]
21 September 2018 until 20 January 2019 The Foundling Museum presents a landmark exhibition highlighting the hidden stories of women in the Foundling Hospital’s history. Marking 100 years of female suffrage, Ladies of Quality & Distinction resets the focus of the Foundling Hospital’s story, revealing portraits and stories of the remarkable women who supported both […]
Deadline for abstracts: 17 September 2018 Conference: 28-29 March 2019, National Portrait Gallery, London An international conference sponsored jointly by the Paul Mellon Centre for Studies in British Art, the National Portrait Gallery, London, the European Research Council and the University of Cambridge. This conference accompanies the National Portrait Gallery exhibition Elizabethan Treasures: Miniatures by […]
Barings Bank was at one time the oldest merchant bank in the City of London and has played an important role in the development of British and international finance from the late-eighteenth to the late-twentieth century. Barings played a significant role in major historic events, such as, financing the Louisiana Purchase. This exhibition explores the […]
When I saw the title of the SSN Joint Conference was to be Why Exhibitions? I was immediately intrigued and my first thought was ‘Why not exhibitions?’ I was keen to hear what other museum professionals were experiencing that made them consider not having a temporary exhibition programme. The Mining Art Gallery is the first […]
I had been looking forward to this conference for many months and it certainly didn’t disappoint. As someone who is in the early stages of their curatorial career, working at a museum which is going through a large-scale expansion project and rethinking of art curation, I knew this conference would be beneficial. To give you […]
‘Exhibition’ seems to be a rather slippery term these days. In the context of national museums and galleries it might conjure thoughts of huge blockbuster shows, often bringing together an impressive array of loans from across the globe. If I told you I was going to an ‘exhibition’ in London, this is probably the kind […]
A thin, black thread wound around the wrist of Anne Fanshawe in her 1628 portrait by Marcus Gheeraerts the Younger drew me to the study day at Valence House Museum, Dagenham, organised by the Understanding British Portraits network- but more of that later. As a curator at the Victoria and Albert Museum, I have researched […]
The UBP Annual Seminar, held at the National Portrait Gallery in November, was my first encounter with the network. They say first impressions count the most, and I certainly wasn’t disappointed. Having recently joined the National Trust as a Regional Curator with responsibility for all properties in Dorset, I am making it my priority to […]
