In 2000 Rugby Art Gallery and Museum acquired a collection from Reddings, a local photographer’s studio, containing around 25,000 glass plate and cellulose acetate negatives dating from the mid-1950s to the mid-1970s. Predominately studio portraits, the collection also contains negatives of local businesses, product shots, local events and weddings. Largely due to lack of resource […]
A new online resource to assist portrait and dress research has been created on the National Portrait Gallery website, utilizing the Gallery’s collection of engraved and hand-coloured fashion plates. One hundred years of mostly women’s fashions from 1770 to 1869 can now be explored by date, by garments, or by the magazine in which the […]
Sixteenth and seventeenth century portraits are a wonderful resource for lace historians. Two types of lace evolved during the sixteenth century: needle lace and bobbin lace. Needle lace, as the name suggests, is a form of free embroidery, worked with a needle and a single thread, while bobbin lace is a combination of plaiting and […]
In 2016 a portrait, identified as Elizabeth Fanshawe (1609-1668), née Cockayne, came up for sale at a well-known auction house (left). This portrait bore an uncanny resemblance to the female sitter in a small double portrait of Sir Thomas Fanshawe and his second wife Elizabeth, née Fanshawe at Valence House (below). A visit to Melbourne […]
Barings Bank was at one time the oldest merchant bank in the City of London and has played an important role in the development of British and international finance from the late-eighteenth to the late-twentieth century. Barings played a significant role in major historic events, such as, financing the Louisiana Purchase. This exhibition explores the […]
When I saw the title of the SSN Joint Conference was to be Why Exhibitions? I was immediately intrigued and my first thought was ‘Why not exhibitions?’ I was keen to hear what other museum professionals were experiencing that made them consider not having a temporary exhibition programme. The Mining Art Gallery is the first […]
I had been looking forward to this conference for many months and it certainly didn’t disappoint. As someone who is in the early stages of their curatorial career, working at a museum which is going through a large-scale expansion project and rethinking of art curation, I knew this conference would be beneficial. To give you […]
‘Exhibition’ seems to be a rather slippery term these days. In the context of national museums and galleries it might conjure thoughts of huge blockbuster shows, often bringing together an impressive array of loans from across the globe. If I told you I was going to an ‘exhibition’ in London, this is probably the kind […]
A thin, black thread wound around the wrist of Anne Fanshawe in her 1628 portrait by Marcus Gheeraerts the Younger drew me to the study day at Valence House Museum, Dagenham, organised by the Understanding British Portraits network- but more of that later. As a curator at the Victoria and Albert Museum, I have researched […]
The UBP Annual Seminar, held at the National Portrait Gallery in November, was my first encounter with the network. They say first impressions count the most, and I certainly wasn’t disappointed. Having recently joined the National Trust as a Regional Curator with responsibility for all properties in Dorset, I am making it my priority to […]
