Independent researcher Kimberly Chrisman-Campbell has posed the following query. “I’m looking for 18th-century portraits that have had their hairstyles repainted; frequently, the very large coiffures fashionable for women in the 1770s and 1780s were either added or effaced. Romney’s c. 1780s portrait of Mrs. Andrew Reid from the Kimbell Art Museum with a hairstyle of […]
Valence House Museum has submitted the following query: “This portrait has been given to us on loan for identification. Nothing is known about this portrait other than a suggestion that it may show Lady Ann Fanshawe (1625-1680). However, we do not believe this to be correct. Any suggestions regarding execution date and artist would be […]
Valence House Museum has submitted the following query: “The attached portrait has been given to us on loan for identification. A handwritten note on the reverse suggests that it is of Elizabeth Fanshawe, née Cockayne (1609-1667/8) by Sir Peter Lely. In 1629 Elizabeth became the 2nd wife of Viscount Fanshawe. We would like to clarify […]
“I’m trying to decipher a detail in a Dom Pedro I (1798-1834) portrait, done by Brazilian artist Benedito Calixto, belonging to Museu Paulista Collection. I am familiar with the uses of gloves in traditional portraits, but I cannot find any precedent for this particular display of the gloves, put between the jacket’s buttons. The portrait […]
The sitter in this Allan Ramsay portrait of 1741 may be a naval officer – can you assist the McLean Museum & Art Gallery in identifying his rank him ? Please register your comments on the Art Detective website here >>
Acquired by Valence House Museum in 1972, very little is known about these two portraits. The sitters are wearing mid-17th century clothing and the portraits seem to form a pair. The paintings have been removed from their stretchers and appear to have undergone conservation at some point, possibly following fire damage. Any suggestions as to […]
This portrait in an American private collection was purchased at auction with the following cataloguing: ‘Portrait of a Lady, possibly Mrs. William Wilson, neé Miss Caroline Fry (1787-1846), early 19th c., circle of Sir Thomas Lawrence, oil on canvas, unsigned, 36 in. x 29 in., in inner liner of original frame. The sitter depicted here […]
In 1970 this portrait was exhibited by the Sabin Galleries as the work of John Constable. The picture was acquired as such by the Art Gallery of New South Wales (acc no 29.1971), but the attribution was rejected by Renée Free in her 1987 catalogue. A plausible attribution has yet to be found. A date […]
This portrait is probably part of the collection of Sir Thomas Robinson Bt. (?1701-1778) at Rokeby Park, near Barnard Castle, Co.Durham. Robinson sold the estate, house and contents to John Sawrey Morritt in 1769. The painting has been on view to the public since 1986 but the identity of the sitter and artist remains elusive. […]
This work in a private collection is considered close to Lawrence, c.1815-20, but the artist and sitter are so far unidentified. The frame is believed to be French, c.1800-25; the label on the reverse is from the workshop of Samuel Coombe, 331 Strand, London. Ideas as to possible artists, or even sitter identity, are very […]
