Fruit of Friendship: Portraits by Mary Beale opened at Philip Mould & Company in London on Thursday 25 April 2024. Mary Beale (1633-1699) was one of Britain’s first professional woman artists. This exhibition will feature twenty-five of her works from public and private collections. The exhibition will span her entire career and include self-portraits, portraits of […]
Justin Nolan, Deputy Director at Eton College, extended a warm welcome to UBP group members on the 4 April. Fellow staff and researchers connected to the College joined him in this, initiating an attitude of generosity to share knowledge and experience, which was maintained throughout the study day. Nolan outlined Eton’s recently adopted commitment to […]
As a curator working within a museum with a large collection of nineteenth-century portraits, I was initially drawn to the Eton College study day for the opportunity to view their well-known collection of Leaving Portraits, often completed by leading society painters such as Sir Thomas Lawrence. However, as the day progressed it was the far-reaching […]
1857 was an annus mirabilis for both George Scharf (1820-1895) and the cultural life of the United Kingdom due to his crucial role in two watershed events: the foundation of the National Portrait Gallery and the staging of the Manchester Art Treasures Exhibition. A new database devoted to Scharf’s activities during this period has now […]
The November visit to Ham House more than lived up to the very high standard of study days arranged by Understanding British Portraits. Once more the combination of excellent expert speakers covering a wide range of relevant topics, a superb venue and seamless organisation, made for a thoroughly fascinating and enjoyable day. I am very […]
As custodian of British portraits that form part an NHS arts collection, I have been a member of Understanding British Portraits for some time. This year’s Annual Seminar was the second I have attended and I was interested to follow new research findings from the network and hear the speakers’ curatorial case studies. As a […]
Brighton Museum is part of The National Gallery Masterpiece Tour 2018 and currently has on display A Lady with a Squirrel and a Starling by Hans Holbein the Younger. To accompany this is the See Portraits, Be Portraits exhibition showcasing portraits from our own fine art collection. The exhibition has been curated with local school […]
As a decorative art specialist, I have been taking my first tentative steps into fine art since being appointed as curator at Temple Newsam House two years ago. Earlier this year, I was very excited to acquire a John Russell (1745-1806) portrait of Savile Green, Senior (1743-1805; Fig. 1).¹ Green was a key figure in […]
The Baring Archive is one of the finest archives of a financial institution in the world and tells the story of Barings Bank, the merchant house established in 1762. Barings was acquired by ING in 1995 and in 2008 the collections were loaned to The Baring Archive Limited, a charitable trust that seeks to preserve […]
In 2000 Rugby Art Gallery and Museum acquired a collection from Reddings, a local photographer’s studio, containing around 25,000 glass plate and cellulose acetate negatives dating from the mid-1950s to the mid-1970s. Predominately studio portraits, the collection also contains negatives of local businesses, product shots, local events and weddings. Largely due to lack of resource […]
