Birkbeck and the National Portrait Gallery are pleased to announce the availability of a fully funded collaborative doctoral studentship through the REACH Consortium from October 2020 under the AHRC’s Collaborative Doctoral Partnership Scheme. This project examines the links between the National Portrait Gallery and historical transatlantic slavery. In particular, it seeks to understand the impact […]
Thanks to a travel grant from the Understanding British Portraits network, I was able to attend the Engaging Young People aged 14-21 with Portraits conference at Leeds Art Gallery. The conference, programmed by Sarah Shaw, Museum Tales Ltd, in collaboration with Engage and the Understanding British Portraits network, featured a diverse group of speakers who […]
News from Oxford Centre for Methodism and Church History, December 2019 Methodist Portrait Prints provides access to over 2,000 historic portraits dating from the eighteenth to the twentieth centuries. These images chart developments in engraving techniques, to the advent of photography, and beyond. This project draws from the collections of the Wesley Historical Society, and […]
Jemma Craig, National Gallery Curatorial Trainee supported by Art Fund with the assistance of the Vivmar Foundation, reports back on the Art Fund Curators Programme at Frieze Masters, hosted by the National Gallery, the National Portrait Gallery, and Frieze Masters, 3-6 October 2019. In its fourth year, the Art Fund Curators Programme at Frieze Masters […]
I have been following the goings on of the Understanding British Portraits network for some time, and so was delighted to secure a spot at this year’s Annual Seminar at the NPG. It truly lived up to my expectations, with a fantastic range of speakers, a variety of topics covered, and the opportunity to discuss […]
‘Cartes de visite’ were the first form of affordable mass-produced photography. These images of families and friends, royalty and celebrities of the day were wildly popular during the Victorian era. Queen Victoria herself helped spread the craze by building her own collection. People collected photographs of their families and friends, royalty and celebrities of the […]
Portraying Pregnancy is a major exhibition exploring representations of the pregnant female body through portraits, over 500 years. Until the twentieth century, many women spent most of their adult years pregnant. Despite this, pregnancies are seldom apparent in surviving portraits. This exhibition brings together images of women – mainly British – who were depicted at […]
Submission deadline: 12 January 2020 Conference: 29-30 June 2020, Hampton Court Palace In celebration of the 500th anniversary of the Field of Cloth of Gold and as part of the AHRC funded Network Henry VIII on Tour: Tudor Palaces and Royal Progresses, Historic Royal Palaces will be hosting a two-day conference on 29-30 June 2020 […]
George IV is arguably the most magnificent of British monarchs and formed an unrivalled collection of art, much of which remains in the Royal Collection. As Prince of Wales and, from 1820, magnificent king, he purchased paintings, metalwork, textiles, furniture, watercolours, books and ceramics in vast numbers, many of these works by the finest artists […]
Following a successful fundraising campaign, the Charles Dickens Museum has raised £180,000 to acquire a ‘lost portrait’ of Charles Dickens, painted by Margaret Gillies in 1843 when the author was only 31 years old. We are now preparing to put this small, striking portrait on display in the museum, which is based in 48 Doughty […]
