Following a successful fundraising campaign, the Charles Dickens Museum has raised £180,000 to acquire a ‘lost portrait’ of Charles Dickens, painted by Margaret Gillies in 1843 when the author was only 31 years old. We are now preparing to put this small, striking portrait on display in the museum, which is based in 48 Doughty […]
July’s study day was too good an opportunity to miss, with expert-led tours of two contrasting private collections right on Reading Museum’s doorstep. We hoped that the day might reveal new insights and links to our museum’s own collections including portraits, and we were not to be disappointed. The morning started at Douai Abbey in […]
In my job, time to reflect and slow down can be hard to come by, and so the opportunity to spend the day thinking and learning about Catholic portraiture with a coterie of UBP delegates was one not to be missed. I work as the House Steward at Coughton Court in Warwickshire, a National Trust […]
This conference will bring together academics and curators to seek patterns of patronage amongst goldsmiths and bankers, an influential and diverse social grouping which has contributed significantly to both our architectural and artistic heritage. It will identify the range of social, economic and political motivations for their participation in high material culture and explore case […]
Justin Nolan, Deputy Director at Eton College, extended a warm welcome to UBP group members on the 4 April. Fellow staff and researchers connected to the College joined him in this, initiating an attitude of generosity to share knowledge and experience, which was maintained throughout the study day. Nolan outlined Eton’s recently adopted commitment to […]
Venue: Utah Museum of Fine Arts, University of Utah Exhibition: 11 July to 8 December 2019 Symposium 8 October 2019 Power Couples: The Pendant Format in Art considers how two interdependent works, called pendants, convey meaning. The study of this popular portrait format reveals a variety of artistic strategies at play – desires to communicate social […]
As a curator working within a museum with a large collection of nineteenth-century portraits, I was initially drawn to the Eton College study day for the opportunity to view their well-known collection of Leaving Portraits, often completed by leading society painters such as Sir Thomas Lawrence. However, as the day progressed it was the far-reaching […]
Brill’s Studies in the History of Collecting & Art Markets is a peer-reviewed book series dedicated to original scholarship on the social, cultural, and economic mechanisms underlying the circulation of art. Over the last two decades interest in the formation, display, and dissolution of art collections has increased tremendously; art markets, trade routes, and dealer […]
