Thanks to a travel grant from the Understanding British Portraits network, I was able to attend the Engaging Young People aged 14-21 with Portraits conference at Leeds Art Gallery. The conference, programmed by Sarah Shaw, Museum Tales Ltd, in collaboration with Engage and the Understanding British Portraits network, featured a diverse group of speakers who […]
The November visit to Ham House more than lived up to the very high standard of study days arranged by Understanding British Portraits. Once more the combination of excellent expert speakers covering a wide range of relevant topics, a superb venue and seamless organisation, made for a thoroughly fascinating and enjoyable day. I am very […]
As custodian of British portraits that form part an NHS arts collection, I have been a member of Understanding British Portraits for some time. This year’s Annual Seminar was the second I have attended and I was interested to follow new research findings from the network and hear the speakers’ curatorial case studies. As a […]
Brighton Museum is part of The National Gallery Masterpiece Tour 2018 and currently has on display A Lady with a Squirrel and a Starling by Hans Holbein the Younger. To accompany this is the See Portraits, Be Portraits exhibition showcasing portraits from our own fine art collection. The exhibition has been curated with local school […]
In 2016 we were very fortunate to be awarded funding from the Understanding British Portraits Professional Partnership Fellowship to research The Twins by John Everett Millais and create a learning resource for young people. We hoped that our project would help to reveal more about the role of women in the Victorian age, whose stories have for many years only been told […]
In 2000 Rugby Art Gallery and Museum acquired a collection from Reddings, a local photographer’s studio, containing around 25,000 glass plate and cellulose acetate negatives dating from the mid-1950s to the mid-1970s. Predominately studio portraits, the collection also contains negatives of local businesses, product shots, local events and weddings. Largely due to lack of resource […]
When I saw the title of the SSN Joint Conference was to be Why Exhibitions? I was immediately intrigued and my first thought was ‘Why not exhibitions?’ I was keen to hear what other museum professionals were experiencing that made them consider not having a temporary exhibition programme. The Mining Art Gallery is the first […]
I had been looking forward to this conference for many months and it certainly didn’t disappoint. As someone who is in the early stages of their curatorial career, working at a museum which is going through a large-scale expansion project and rethinking of art curation, I knew this conference would be beneficial. To give you […]
‘Exhibition’ seems to be a rather slippery term these days. In the context of national museums and galleries it might conjure thoughts of huge blockbuster shows, often bringing together an impressive array of loans from across the globe. If I told you I was going to an ‘exhibition’ in London, this is probably the kind […]
In December I returned to the National Portrait Gallery, where I had worked for 3 years until last autumn, to attend the annual Understanding British Portraits conference. On the agenda was a talk by Ibby Lanfear, Paintings Conservator, which focused on a collection of 17th-century portraits here at the Charterhouse. It was a wonderful experience […]
