Sir Joshua Reynolds is a pivotal figure in the development of the British School of painting, principally through his writings on art and his portraits. However, besides the research conducted by Giovanna Perini Folesani, Reynolds’ Italian Sketchbooks have received little critical attention. This is possibly because his sketchbooks have been generally overlooked in favour of […]
Fountains Abbey & Studley Royal in North Yorkshire is not known for its large collection of art or furniture; it’s a World Heritage Site famous for its landscaped water garden and 12th century monastic ruins. The devastating fire at Studley Royal House in 1946 had destroyed much of the contents and when the Vyner family […]
In 1825, ‘Mrs Baillie’ bequeathed a remarkable conversation piece by Johan Zoffany to the Royal College of Physicians (RCP). This painting represents the Scottish-born anatomist, surgeon and midwife Dr William Hunter giving an anatomy lecture to a group of individuals. Mrs Baillie was the wife of Dr Matthew Baillie, Hunter’s nephew and heir. While living […]
On Thursday 22nd January, I travelled to the Heinz Archive along with a colleague, Euan, as part of our Understanding British Portraits project. The portrait in question is of Richard Francis Burton, the famous Victorian explorer, in disguise as Haji Abdullah on his expedition to Mecca in 1853. Our aim was to use the archives […]
In February 2014, Sir Thomas Lawrence’s double portrait of Frances Anne, Marchioness of Londonderry and her son, Lord Seaham, was temporarily allocated through Acceptance In Lieu to Mount Stewart in Northern Ireland, by Arts Council England (left). It arrived along with a significant loan of other items from the Estate of the Marquess of Londonderry […]
Since receiving an Understanding British Portraits bursary, I have been undertaking research trips relating to my work on the eighteenth-century wax modeller, Samuel Percy. Born in Ireland in c.1750, Percy received his early artistic training at the Dublin Society school of art. As with many artists seeking a profitable career, he moved to London in […]
With so little known about many of the nineteenth and early twentieth century portraits in the Russell-Cotes collection, the Understanding British Portraits Bursary presented the perfect opportunity to discover more, with the aim of creating a primary school offer focused on portraits as a result of this research. We were aware, for example, of two […]
This bursary has been used to collect information that will enhance an existing project to improve provenance records for works in the Government Art Collection (GAC). George Mogg (who helped research the provenance of GAC works at Christie’s archives) joined me on the following archive visits. We first visited Kent History and Library Centre in […]
Saraid Jones received a Bursary from Understanding British Portraits in October 2013. Here she reflects on the aims of her chosen project. My fascination with the portrait of Thomas, 2nd Lord Berwick painted by Angelica Kauffman (left) began when I read the story of his Grand Tour. The Volunteers’ Library at Attingham Park is […]
This year I have been a fortunate recipient of the UBP bursary, an opportunity that has allowed me to learn more about specific artworks in Pallant House Gallery’s collection of British Pop Art. The benefits of my research have had huge impact, none more so than in my ability to curate informed exhibitions and displays […]
