Justin Nolan, Deputy Director at Eton College, extended a warm welcome to UBP group members on the 4 April. Fellow staff and researchers connected to the College joined him in this, initiating an attitude of generosity to share knowledge and experience, which was maintained throughout the study day. Nolan outlined Eton’s recently adopted commitment to […]
As a curator working within a museum with a large collection of nineteenth-century portraits, I was initially drawn to the Eton College study day for the opportunity to view their well-known collection of Leaving Portraits, often completed by leading society painters such as Sir Thomas Lawrence. However, as the day progressed it was the far-reaching […]
In 2000 Rugby Art Gallery and Museum acquired a collection from Reddings, a local photographer’s studio, containing around 25,000 glass plate and cellulose acetate negatives dating from the mid-1950s to the mid-1970s. Predominately studio portraits, the collection also contains negatives of local businesses, product shots, local events and weddings. Largely due to lack of resource […]
A thin, black thread wound around the wrist of Anne Fanshawe in her 1628 portrait by Marcus Gheeraerts the Younger drew me to the study day at Valence House Museum, Dagenham, organised by the Understanding British Portraits network- but more of that later. As a curator at the Victoria and Albert Museum, I have researched […]
In December I returned to the National Portrait Gallery, where I had worked for 3 years until last autumn, to attend the annual Understanding British Portraits conference. On the agenda was a talk by Ibby Lanfear, Paintings Conservator, which focused on a collection of 17th-century portraits here at the Charterhouse. It was a wonderful experience […]
The Grosvenor Museum’s greatest acquisition in 2015 was a portrait of Richard Crewe-Milnes, Earl of Madeley, the three-year-old son of the 1st Marquess of Crewe, painted in 1914 by Philip de László, one of the most celebrated portrait painters of his age. This masterly oil sketch exemplifies the artist’s painterly panache and retains its original […]
I had been looking forward to the Understanding British Portraits Study Day at Hardwick Hall from the moment it was announced. Since first encountering ‘Bess of Hardwick’ 12 years ago when I moved to the area I have become something of an enthusiast. Combined with my equally keen interest in 16th and 17th century portraiture, […]
It’s time to confess: I know very little about portraits. I don’t have a degree in Art or History. My degree is in English, and my background is conservation, so I will apologise in advance if I appear easily pleased by the things I learnt when I attended my first Understanding British Portraits workshop! My […]
The Understanding British Portraits study day at Knole offered an enriching variety of informed presentations by scholars engaged in the study and preservation of the house and its collection. The day’s talks were divided into two sections, each concluding with a tour and time for discussion. As a first-time visitor, I felt privileged to absorb […]
The latest British Portraits Subject Specialist Network seminar was held at Knole, generously hosted by Lord Sackville and the National Trust and expertly co-ordinated by Caroline Pegum. On a crisp March morning over thirty delegates from a range of institutions and fields assembled in the Great Hall. This being my first visit to Knole I […]